Safely ensconced at convent school in Adrian, Michigan, Buda Godman was midway through her time at St. Joseph’s Academy when a group of travelling players came through town. It was Christmas Eve and the students were allowed to give a late supper. One of the invited guests was Mr. Tell Taylor, a young actor and aspiring songwriter from Findlay, Ohio. He sat across the table from Buda Godman and the pair seemed to hit it off. However, when the dinner ended, the two parted ways without any intention of continuing the friendship through future meetings or correspondence.
A few years later, a nineteen-year-old Buda Godman was out of school and back in Chicago where her family resided. One evening in 1907, Buda attended a performance of The Girl Question, a hit musical that enjoyed a run of over a hundred performances at the Lasalle Theater. There she recognized the man playing the part of Harold Sears as the same actor she’d met a few years earlier. After the performance, she sent him a note and “their acquaintance was renewed.” Buda Godman and Tell Taylor proceeded to embark on a whirlwind courtship. “Several times during the course of the week the young couple were out together, lunching and driving, and Monday evening after dinner together at a downtown hotel Judge Arms was called to the parlor and joined them in marriage,” the Lafayette Journal and Courier reported. Before going to the theater to catch her husband’s performance that evening, Buda called her parents and notified them of the marriage. Buda’s father joined her at the theater and after the performance took the couple back to his house where the Godmans held a dinner for the newlyweds.
While the Journal and Courier reported that the new bride “would not go on the stage,” Jack Lait and Lee Mortimer wrote in Chicago Confidential that Taylor got Buda work in the chorus of The Time, The Place, and The Girl. According to Lait and Mortimer, following Buda’s performance “Chicago woke up to the discovery of a new rave, Buda Godman. She was wooed and pursued and she fell. Taylor tried to kill her and fired several shots at her, but missed.”
There are more than a few inaccuracies in Lait and Mortimer’s account of the life of Buda Godman, so it’s difficult to know how much, if any, of this episode actually happened. However, one thing that is undeniable is that Tell and Buda’s relationship was stormier than a water spout off of Ohio St. Beach. To hear Tell Taylor tell it, “I married Buda when we were both drunk and I found out she was quite incapable of loyalty to anyone.” As Variety put it when Taylor filed for divorce from Buda in 1910, “his complaint mentioned several vaudevillians as ‘affinities.’ Their names were omitted from the final record.”
One thing that is never mentioned in the ‘love story’ of Tell Taylor and Buda Godman is the erratic behavior of Taylor himself. Life with the songwriter wasn’t always blissful romance by the old mill stream. Taylor did start a successful music publishing company in Chicago, and he managed to author his most famous tune “Down By The Old Mill Stream” in 1910 while still married to Buda. However, Taylor had his own ‘affinities’ that caused him to make headlines on more than one occasion.
In July of 1908, Taylor was fined $3 for disorderly conduct over a fight that took place at Freiberg’s Dance Hall 182 22nd street, Chicago. In his defense, “Taylor declared to Judge Crowe that as a result of the fracas he was carrying around two highly decorated eyes as well as several and sundry abrasions on different parts of his anatomy and that he did not deserve any additional punishment,” The Inter Ocean reported. Apparently, Taylor, Tim Jordan of the Brooklyn Superbas professional baseball team, and several other individuals were out “doing the levee” when they wandered into Freiberg’s at around two a.m. As the Inter Ocean reported, Taylor “created a disturbance in the dance hall, and that when asked to leave he had started a row.” He was then ejected by two waiters and later arrested when he tried to return to the dance hall.
During a separate incident in August of 1910, Tell Taylor again tangled with waiters at George Silver’s basement saloon at Clark and Randolph streets. After Taylor made a request to cash a check, he was attacked by Silver and several waiters who “threw him to the floor” and “pounded his head with a billy.” Silver maintained that Taylor “started the row” when he “used abusive language” and “refused to leave when ordered,” the Chicago Tribune reported. “O, no, he wasn’t beaten up. He was just thrown out gently,” Silver said.
The following month, on September 13, 1910, Buda’s father, Otho Godman, died in New York City at the age of 53. Less than two weeks later, Tell Taylor filed for a divorce. While Taylor blamed Buda’s lack of loyalty and affinities for fellow vaudevillians as the reason for the break up, it is pretty clear that his adventures in the levee, his brawling, and public drunkenness demonstrated that he was no more committed to the marriage than Buda.
Within a few years, Buda Godman would be deploying her theatrical skills to con rich men out of large sums of money. How a former convent school girl managed to fall in with a highly organized gang of international blackmailers is a bit of a mystery. She certainly could have encountered some of these characters in Chicago. Lait and Mortimer write that “her father’s calling threw him in with shady people….” Could Buda have come in contact with underworld figures among her father’s business associates? Otho Godman’s obituary said he worked “at race tracks in the big cities, and his services were always in demand.” As an expert in telegraphy, morse code and wireless communications, Otho Godman’s work at horse racing tracks would have placed him directly in the sphere of big-time gambling interests. Was it only a matter of time before Buda Godman adopted the life of crooks and conmen? Whatever the case may be, it appears that once the protective influence of Otho Godman had fallen away, and her marriage to Tell Taylor dissolved into ruin, Buda Godman was set free to relieve rich, philandering fat cats of their beefy bankrolls.
